Today in the Wall Street journal, The Emerald Home (2962 Broken Sherd Trail) is one of three properties featured in the paper’s “Keeping Cool and Green” article.
The Relative Values column looks at homes in California, New Mexico and Thailand with an ecological focus.

Here’s what makes these properties “green”:
COSTA MESA, Calif.
$3 million
A nearly 5,000-square-foot home with seven bedrooms and six baths, on 0.32 acre
DETAILS: Just built, this modern Craftsman-style, single-story home sits near the 11th fairway of a private golf course. There’s a pool, patios and an inner courtyard with a fireplace.
EASY BEING GREEN: Thirty-three solar panels on the roof generate power, and a reclamation system recycles wastewater for landscaping and other uses. Countertops are made of recycled materials, and bathroom walls and floors of locally sourced river rock.
SANTA FE, N.M.
$2.5 million
A 4,175-square-foot home with three bedrooms and four baths on an acre
DETAILS: This 2009 pueblo-style home has an open-floor plan and 14-foot beamed ceilings in the living area. The single-story home has two fireplaces and a media room.
EASY BEING GREEN: The solar-powered home has zero net energy consumption. Reclaimed wood is used for the beams and cabinets throughout the home, which also has triple-paned windows. There’s geothermal heating.
SOURCE: Maxine Swisa, 505-570-0550, Maxine@maxineswisa.com
PHUKET, Thailand
89 million baht ($2.7 million)
A 6,025-square-foot hillside villa, with four bedrooms and four baths, on 0.79 acre with bay and rainforest views
DETAILS: This contemporary-style 2009 home sits about 210 feet above sea level has a lap pool and garden. There are several thousand square feet of terraces and outdoor space.
EASY BEING GREEN: Reclaimed tropical hardwood and other local materials were used. The villa also collects enough rainwater in an underground reservoir to supply the property for eight months of the year.


On Wednesday, at the Leading Real Estate Companies of the Wolrld’s annual conference in Las Vegas, sfrp.com won an award for Best Overall Website.








Born in the year of the Horse, Xiang Zhang (pronounced Shong Zang) grew up in China. After graduating from The Central Academy of Drama in Beijing, where he was strongly influenced by the 19th century Russian masters, he received his Masters Degree in Fine Art from Tulane University in New Orleans. While at Tulane, he developed his special style of portraiture work and increasingly cowboy art. Combining impressionistic, as well as realistic techniques, awards in regional and national shows marked him as an artist to watch. The excellent, consistent quality of Zhang’s work has made him one of the most collectible artists in the world. In 2002, he moved to a ranch in Sherman, Texas. Immersed in the local ranching lifestyle, his work reflects the symbiotic relationship between the cowboy and his horse. Using scintillating colors and bravura brushwork to capture the drama of ranching life, his definitive style has catapulted him to new heights in the art world. Xiang Zhang’s paintings hang in private and corporate collections in the United States, Canada, Europe, and China.
In this sculpture, John depicts a Mandan archer engaged in “the game of arrow,” an event witnessed by George Catlin in about 1833. He reported that the most distinguished archers by the other archers for entrance fees. It was written that the winner of this particular gathering achieved eight arrows gathered on the prairie, each one having paid an entrance fee such as a shield, robe, or pipe. In turn, they shot their arrows into the air to see who could get the greatest number flying at one time, the winner taking as his prize everything that was brought in flight before the first one struck the ground. John Coleman is one of the leading sculptors today who portrays the historical nature and mythology of western subjects. John Coleman’s award-winning bronze sculptures are among some of the most detailed and most accurate depictions of American Western legend and history that are being produced today.
In the Western art genre, Donna Howell-Sickles has taken the image and idea of the cowgirl beyond charcoal lines and into reality. Howell-Sickles has been exploring the layers beneath the cowgirl’s engaging exterior for more than 30 years. A vintage postcard from the 1930’s featuring a cowgirl with ruby red lips sitting atop her horse instilled in Howell-Sickles a lasting fascination with the cowgirl spirit. The cowgirl in the postcard was at once both familiar and unreal. This dichotomy in the imagery has fueled Howell-Sickles’ artwork, and inspired her to create images of women that are both real and myth. Howell-Sickles’ artwork captures the quintessence and timelessness of the cowgirl spirit.



